YOVOZOL

I really feel like I nailed down the aesthetic for this one. Cobra Sway sent the footage of herself singing and I took charge of everything else including the editing, effects, and even the font. I am very proud of how it turned out!

Luther hit me up to do analog video effects for this uplifting music video directed, shot, and edited by Kokie Padilla. I had a lot of fun recording my parts, and the way the team put together the effects with the other footage is great! Be sure to stream Luther's new single Watertight and his new EP Soon Everything Will Be Perfect.

Fuzz. Garbage. Trash. Distortion. The legendary duo JEFF The Brotherhood came at me with the idea of making some sort of visualizer out a choreographed "garbage dance" and this was the result. It was lots of fun to make.

A pure passion project. I sampled Billie Eilish's short Not My Responsibility for my visual interpretation of this haunting vaporwave track by trashgh0st. It originally premiered as a post-credits Easter egg at the first Late Night Lights Festival in 2020.

Here I learned how to use keyframes and bezier curves to create smooth transitions, trying to match the energy of Avast's sick beat Night Light. Once again I directed, edited, modeled, and was shot by Wils Quinn. A summer solstice special!

I like this music video because I decided not to use any analog effects and just tell a story using the camera, composition, and simple fades. I made each shot and cut with the song structure in mind to create a video that truly moves with the energy of the song.

For this humorous music video I took charge of filming, directing, setting up the room, editing, and the effects. The final result still makes me smile!

For this music video I projected live visuals on top of this rock band while my friend Nathan Hampton filmed them up close. After some editing we resulted with a very energetic live performance style video.

This is hands down my favorite example of my hifi analog visual aesthetic. Though more of a visualizer than a music video, I think it captures perfectly the feeling I felt when I first heard this track. My synesthesia probably contributed.

This is a great example of a visual loop that I manipulated in time with the video to make a music video. Matches perfectly with subtle color changes and soft analog effects for a mildly psychedelic experience.

This was a fan made video and the first where I really strongly developed my analog video aesthetic in recorded form. I made each shot (sourced from a movie) go with the beat of this deep house track. From this I learned that techno is a lot of fun (but tedious) to edit videos for.

Another passion project! I animated all these emojis and lyrics in Premiere Pro and then glitched them to add some energy and my signature aesthetic. I really like the idea of doing more lyric videos like this :)

A combo of two 30 second visual loops I made for art collective PROM D8 and their new singles. I am really happy with how my abstract figure concept turned out.

I made a dark & gritty satanic CRT visualizer for this artist's insane two-minute trip. A lot of single frame subliminal messages here, don't look too hard.

One of my early music videos, with a simple concept in mind: record a CRT TV screen showing a VHS recording of me shopping around Walmart and lip-syncing to my song while I dirty mix the video signal.

This video was pretty ambitious because I tried to put myself in a white morph suit and be filmed in a dark dance studio. Unfortunately I am not a dancer, but I was able to achieve the luma keying & feedback effect I was looking for.